Stories: the novel LOGENSITZ and the journal · Oliver Kendl

I have the best seat in the house.

A first-person narrator in his mid-forties, a box seat above the end of the world and a look back at the eighties, nineties and noughties. At the generation in between: analogue enough to still be personal, technical enough to already be comfortable.

Told through music and built like an album. Chapters are tracks, with commercial breaks in between, and after the epilogue a hidden track is waiting. Right now the whole thing is getting its second pass: more scenes, more dialogue, less summary.

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